Score Detail
Arranging as proof of craft.
The work lives in the details: voicings, rhythm-section architecture, cue clarity and parts that make sense on the stand.
Musical architecture for rhythm sections, horns, big bands and hybrid projects.
Christian’s arranging language draws from jazz, Afro-Cuban music, salsa, classical form and decades of practical ensemble leadership.
Creative work may include horn writing, rhythm-section parts, big-band arranging, orchestration, score preparation and production-minded arrangement.
Rachmaninoff’s Piano Concerto No. 2 reframed through danzón, mambo, guaguancó, tango and Latin big-band language.
The work lives in the details: voicings, rhythm-section architecture, cue clarity and parts that make sense on the stand.